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[dream-pop, electronic] (2017) Johnny Jewel - Windswept [FLAC,Tracks] {100.XY}

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Description

(2017) Johnny Jewel - Windswept


Review:
Johnny Jewel’s latest long-playing opus, Windswept, has arrived in a
flurry of startling revelations. For one, long-suffering fans waiting endlessly for the arrival of Dear Tommy, the fifth
album from his flagship band, Chromatics, learned the unexpected reason for the delay. According to his manager via
Twitter, the album was scrapped with all physical copies literally destroyed after Jewel suffered a near-death
experience in Hawaii. Going so far as to delete the handful of pre-release singles from the album (including the stellar
“I Can Never Be Myself When You’re Around”), Jewel has allegedly re-recorded a “better”
version of Dear Tommy, although a release date has yet to be announced. 
Jewel’s musical contributions have
been collected on Windswept, a 14-track full-length that features music from a variety of acts on his Italians Do It
Better imprint, including Glass Candy, Desire, Symmetry, and Chromatics. The release also serves as quite a primer for
Jewel’s enigmatic label.

Opening with the ominous and foreboding Symmetry track, “Television
Snow”, it’s immediately apparent that the producer’s melancholy, synth-drenched sound is an ideal
match for Lynch’s surreal Twin Peaks universe. Kindred spirits, Lynch and Jewel have both built careers exploring
the razor-thin line between beauty and horror and the unspeakable terror that often exists just beneath the surface of
even the most breathtaking facade.

A mournful saxophone punctuates the title track, followed by an early
album highlight: new Desire song, “Saturday”, with singer Megan Louise’s plaintive vocals giving the
song a similar appeal to Desire’s most famous tune, “Under Your Spell”.

Instrumentals like
“The Crimson Kiss” and Glass Candy’s “Motel” invoke the baleful spirit of the original
Twin Peaks and its soundtrack scores from composer Angelo Badalamenti with shuffling beats and shimmering
vibraphones.

As the album rounds to a close, the understated soundtrack nature of the tracks threaten to blur
into ubiquity, Jewel ends on Chromatics’ touching 2015 version of Rodgers and Hart’s 1934 standard
“Blue Moon”. Radelet’s lilting voice perfectly captures the tragic and isolated sentiment of the
song’s lyrics, ideal for the ongoing saga of Laura Palmer and the equally hopeless fellow residents of the
haunted Washington state town. It’s enough to elevate the Chromatics singer to Julee Cruise status as the
signature voice of the Twin Peaks landscape.

It should prove to be quite enthralling to see and hear just how
the cacophonic tension of tracks such as “Insomnia” and the hopeful synthesized strings of HEAVEN’s
“Heaven” fit into the next chapter of Twin Peaks. Windswept also sets the stage for the impending release of
Chromatics’ Dear Tommy album, which already has a precariously high bar to match, thanks to the band’s
outstanding 2014 full-length, Kill for Love. Fans of all things Italians Do It Better should ideally have plenty to look
forward to in 2017.





Tracklist:
01 - Television
Snow.flac
02 - Windswept.flac
03 - Saturday.flac
04 - Missing Pages.flac
05 - The Crimson
Kiss.flac
06 - Strobe Lights.flac
07 - Heaven.flac
08 - Slow Dreams.flac
09 - Insomnia.flac
10
- Motel.flac
11 - Between Worlds.flac
12 - The Flame.flac
13 - Stardust.flac
14 - Blue Moon.flac

Summary:
Country: USA
Genre: dream-pop, electronic


Media Report:
Source                           : CD
Format      
                    : FLAC
Format/Info                      : Free Lossless Audio Codec, 16-bit PCM
Bit rate
mode                    : Variable
Bit rate                         : ~ 714-966 Kbps
Channel(s)               
       : 2 channels
Sampling rate                    : 44.1 KHz
Bit depth                        : 16 bits

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